Carl Larsson
A Sweden Museum


Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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CARRACCI, Lodovico
The Dream of Saint Catherine of Alexandria (detail) dfg
CARRACCI, Lodovico3.jpg
ID: 05946

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CARRACCI, Lodovico The Dream of Saint Catherine of Alexandria (detail) dfg


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CARRACCI, Lodovico

Italian Baroque Era Painter, 1555-1619  Related Paintings of CARRACCI, Lodovico :. | The Virgin Appearing to St Hyacinth fdg | The Stories of Jason (detail) df | The Dream of Saint Catherine of Alexandria (detail) dfg | Alessandro e Taide | Bargellini Madonna sf |
Related Artists:
Samuel Walters
British Painter, 1811-1882
Johannes Frederik Hulk
Dutch, 1829-1911
Philipe Mercier
Philippe Mercier (also known as Philip Mercier) (Berlin, 1689 - London, 18 July 1760) was a French painter and etcher, who lived principally and was active in England. He was born in Berlin of French extraction, the son of a Huguenot tapestry-worker. He studied painting at the Akademie der Wissenschaften of Berlin[1] and later under Antoine Pesne, who had arrived in Berlin in 1710. Later, he traveled in Italy and France before arriving in Londone"recommended by the Court at Hannover"eprobably in 1716. He married in London in 1719 and lived in Leicester Fields. He was appointed principal painter and librarian to the Prince and Princess of Wales at their independent establishment in Leicester Fields, and while he was in favor he painted various portraits of the Royalties, and no doubt many of the nobility and gentry. Of the Royal portraits, those of the Prince of Wales and of his three sisters, painted in 1728, were all engraved in mezzotint by Jean Pierre Simon, and that of the three elder children of the Prince of Wales by the John Faber Junior in 1744. This last was a typical piece of Mercier's composition, the children being made the subject of a spirited, if somewhat childish, allegory in their game of play. Prince George is represented with a firelock on his shoulder, teaching a dog his drill, while his little brother and sister are equally occupied in a scene that is aptly used to point a patriotic moral embodied in some verses subjoined to the plate






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